The pines are represented in three large portions of trunks on the left, two of which are intertwined with each other.
P. Toscano comments: 'Only a retired man, without worldly desires, could paint the bones of this black dragon. After nine days of pouring rain and wind blowing everywhere, the divine spirit leaped out of it.'
Technique: brush ink.
'Karibari' paper restoration laboratory, Venice.
In the Museum since 1911. From Henan.
