
Goal and Target
It is an enchanting journey of vascular art that celebrates its stylistic variety and shows its infinite good taste, typical of a way that is as ancient as it is wonderful.
The goal is the opportunity to explore that ceramic art, master of Chinese culture, shapes and decorates artefacts of tangible splendor, and favors the encounter between distant cultures, which communicate through the eloquence of beauty.
The Museum thus takes the opportunity to celebrate this wonderful connection in order to convey the message of mutual enrichment that arises from human intimate need for contact, a human, social and cultural contact.
The goal is the opportunity to explore that ceramic art, master of Chinese culture, shapes and decorates artefacts of tangible splendor, and favors the encounter between distant cultures, which communicate through the eloquence of beauty.
The Museum thus takes the opportunity to celebrate this wonderful connection in order to convey the message of mutual enrichment that arises from human intimate need for contact, a human, social and cultural contact.

Large Vase
Large Vase
Large vase with elephant head handles. “Green Family” enamel porcelain. Also called ceramics from the period of decadence.
The decoration presents a scene of children playing on one side, and a phoenix among the flowers on the other.
The slightly sloping shoulder is decorated with a band of lingzhi mushrooms.
On the one hand, the majesty of the Emperor, during an audience scene and a small crowd of characters.
Height 80 cm.
Made in Guangzhou for export.
Qing Dynasty
Emperor Guangxu (1875-1908)
The decoration presents a scene of children playing on one side, and a phoenix among the flowers on the other.
The slightly sloping shoulder is decorated with a band of lingzhi mushrooms.
On the one hand, the majesty of the Emperor, during an audience scene and a small crowd of characters.
Height 80 cm.
Made in Guangzhou for export.
Qing Dynasty
Emperor Guangxu (1875-1908)
China
Features
Contact between East and West
These are other worlds, other peoples, other cultures.
But the wisdom of life is only one
But the wisdom of life is only one
Western style Cup
Western style earthenware cup decorated with applied decorations. The internal decoration is made with a band with an alternating brown and yellow background, in each of which a flower is painted. Made in China commissioned by the “Richard Ceramics Society” (later Richard-Ginori). They bear the “PEKIN” brand.
China - Earthenware (20th century)

Ceramics and Craftsmanship
The art of ceramics favors contact between the East and the West, between the workers of the highest Chinese craftsmanship and the great houses of the old continent who commission, with ever-increasing demand, exquisite porcelains with European shapes and decorations, a cultural medium of exceptional value.
Poster Series: "Tong su jiao yu tu” (Illustration for popular education)
The origin of this movement called "New Life", which pervaded all Chinese cities in the 1930s, can be found in the High General Chiang Kai Shek (more precisely Jiang Jieshi), President of the Republic of China. Reflecting on the economic-social conditions of the nation, he concluded: to raise the standards of China, we must begin with a new life, based on the four virtues, already taught and recommended by Confucius, mainly, urbanity, justice, temperance, honesty. The President was inspired by the Western world and common practices widespread in Europe and the United States.
The Bicycle
In Chinese the bicycle was defined by two names: one as "vehicle that turns on itself" and the other "vehicle where you place your foot". To use it, you must first learn to control the force of your feet. Once you learn the technique you can start moving. On flat ground, you can even pass the tram. Illustrations for popular education (1922)The Weeping Willow

Cloisonné Vase
Cloisonné Vase
Large brass vase with cloisonné decoration, perhaps one of the largest made. Equipped with original pedestal.
Cloisonné Process
Once the container is made of smooth bronze, copper, silver or gold foils are glued on it, in the desired shapes. Then fine silver powder is spread over it and the object is heated in the oven to weld the plates to the vase. At this point the different cells are filled with the various colors obtained from vitreous pastes which are ground and placed in aqueous suspension. After several passages in the kiln and addition of color as this shrinks with heat, the piece is polished with pumice by hand or on the lathe.Private Collection (20° secolo)
Visiting Times
The exhibit “Large Chinese vases & Contact Art” is open from Tuesday to Saturday 9.00am-1.00pm and 3.00pm-7.00pm, and on Sunday 3.00pm-7.00pm till February 28th, 2024.
Tel. 0521-257.337
Guided Tours
Your visit will be guided. The museum space is designed for groups of about 20 people (or less), so as to help appreciate and see the exhibits. The same opening hours of the Museum.
Please call 0521-257.337.
Large “A Thousand Flowers” Vase
Large “Millefiori” type vase. “Pink Family” porcelain.
Height 86 cm.
Height 86 cm.
China - Ceramic
Qing Dynasty
Emperor Qianlong (1736-1795)
Qing Dynasty
Emperor Qianlong (1736-1795)

