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Mostra didattica 2020 Mode nel mondo al Museo d'Arte Cinese ed Etnografico, Parma

Exhibit: Fashion in the World - Mode nel Mondo


New didactic exhibit of the Museum of Chinese Art and Ethnography. The exhibit “Fashion in the world - Mode nel Mondo: clothes tell the life of peoples” traces a journey through the traditions of the world, through clothing, ornaments and accessories, starting with the Chinese culture.

Goal and Target

The exhibit "Fashion in the world: clothes tell the life of peoples", is held in Parma, Italian Capital of Culture 2020-21, from Jan. 26th 2020 to Aug. 29th 2021.

Clothing and ornaments make us peoples, who belong to a group, a social status, an ethnicity. Clothing is a real form of codified communication and easily interpretable on a social level.

The halls of the museum allow for a trip around the world on the subject of clothing, offering images, objects, new and ancient artifacts, for visitors, schools and groups.
China - Taoist liturgical vestment, rear
China - Taoist Liturgical Vestment
Taoist Vestment - Front

Taoist Liturgical Vestment

Silk made with manual loom; the embroideries are in gold thread and polychrome yarns, representing classic symbols of Taoism (animals, immortal figures, symbols of the Chinese zodiac and allegorical elements); first half of 1800.

Details

Burqa from Bangladesh

Traditional dress of the Bengali Muslim women in light blue cotton, consisting of a tunic, which completely covers the head and face, and a skirt.

The origin of the Veil

Hijab is a general term that refers to the practice of wearing veils of all kinds. This practice is not simply about religion: women wear it for a variety of reasons that can change, depending on the time and social context.

Is the veil an Islamic requirement?

Muslim writings are not entirely clear on the issue of the veil. Various passages in the Koran (the Holy Book) and in the Hadith (attributed to the prophet Muhammad), refer to the veiling of the prophet's wives. But scholars disagree that these claims apply only to the prophet's wives, or to all Muslim women. The Koran asks both men and women to "cover themselves up and be modest".
Burqa from Bangladesh

The veil, symbol of identity

However, there are other reasons for the practice of wearing the veil. In the past, French and British colonizers forced Muslim women to remove the veil to imitate European women. As a result, in the countries of North Africa and the Middle East, the veil became a symbol of national identity and opposition to the West during the independence and nationalist movements.

Feminine beauty today

Today some women wear hijab as a sign of their ethnic identity. For many other women, the veil has become a means of resistance to female Western beauty standards.

The legend of the fisher-woman with the Qipao

There was a young fisherwoman living near a place called Jingbo Lake. She was not only very beautiful but also clever and skillful. Her only problem: when fishing, she often felt hindered by her long and loose-fitting clothing. Then an idea struck her: why not make a more practical dress to wear when fishing?
She then got down to sewing and produced a long, loop-buttoned gown with wonderfully practical slits down the sides of the skirt for tucking in the front part of her dress. Her creation allowed her to fish with greater ease, but she never imagined that it would bring her good fortune as well.
The young emperor who ruled China at the time had a dream one night. In the dream, his dead father told him a lovely fisherwoman wearing a long dress, who lived by Jingbo Lake, would become his queen. After awakening from this vivid dream, the emperor sent his men to look for the mysterious woman. And sure enough, they found her just where his father said.
So she joined the emperor as his queen, bringing her lovely Cheongsam with her. Manchu women all followed suit and soon Qipao became all the rage throughout China
Collana maschile mubanga
Male necklace “mubanga”
Dem. Rep. of Congo

Congo - Traditional Lega clothing signs

Some elements of traditional clothing that constitute both the emblem of belonging to the initiatory secret society "Bwami", and the degree reached in the same society, are headdresses, chest straps, necklaces.
The man “mwami” and the main wife progress in the various steps of the society together. The “bwami” society is secret as it regards to rituals and teachings that are seen and learned; those who belong are instead known, and proud to be part of it. The highest achievable degree is called “Lutumbo lwa kindi” for the men and “Kanyamwa” for the women.

Visiting Times

The exhibit "Fashion in the World - Mode nel Mondo" is open from Tuesday to Saturday 9.00am-1.00pm and 3.00pm-7.00pm, and on Sunday 11.00am-1.00pm and 3.00pm-7.00pm for the entire year.

Tel. 0521-257.337
mail@museocineseparma.org

Guided Tours

Your visit will be guided. The museum space is designed for groups of about 20 people (or less), so as to help appreciate and see the exhibits. The same opening hours of the Museum.
Please call 0521-257.337.

Shawl from Sumatra - Indonesia

Discover the cotton shawl with silk embroidery and conterie called "ulos", a very significant artifact in Batak culture, used in past times in everyday life to carry children or objects. On the day of the wedding, the father of the groom places it on the shoulders of the newlyweds, to emphasize the unity of the spouses and their families.